EQ Magazine article on recording Flogging Molly’s “Float” with my Tonelux gear in Ireland.

Although anyone else would cite Hewitt's uncanny knack for getting the right sound, a consequence of his childhood immersion in the recording industry (son and heir apparent to the recording industry's legendary Dave Hewitt), and years of study and apprenticeship, the thirty-something engineer humbly shifted at least some of the credit for Float's amazing sonic [...]